BurtonBeth Portman is a 14-year-old girl with a troubled past. Silas Tufts is an ex-Navy Seal. Together, they roam the ocean, followed by a mysterious black albatross.

Portman’s parents have died in a mysterious fire. Her youthful innocence is honed into young adulthood in a series of encounters, from the Philippines to Hong Kong. Warning: author David Burton does not pull punches.

Burton’s fine novel uses this mythic framework to tell a story of adventure and revenge. (The revenge aspect is, in the end, highly satisfying.) Born into a horrible situation, Beth gets a second chance with Silas.

Similarly, Girl at Sea gets a second chance with tight formatting and new cover art. (The story was previously published.) You will find Beth’s story to be powerful, and oddly touching.

There’s Beauty in My Flaws

Beauty FlawsTally Forester is ready for a reboot. College was a dead end, and her job at the bar is no better. Perhaps  a fresh start waits for her in Colorado. Her uncle runs a funeral home there, and Tally can help out while planning her next step. While working, she meets a suspicious widow. Tally follows some questionable evidence, but there are deeper secrets in play.

B. B. Grace’s There’s Beauty in My Flaws is a mystery, but it’s also a strong character study with unique female characters.

And, it’s poetry. Grace has a literary voice. Her narrative bypasses many genre conventions on the way to a more complex set of truths. In some ways, her heroine is “lost,” and the story wanders with her. You won’t mind the journey. The language and insight will carry you from plot point to plot point. There’s Beauty in My Flaws is for the careful, patient reader who digs a little deeper. There’s gold in there. (Five stars out of five)



riseRise: An Anthology of Change is a collection of prose and poetry exploring positive change. First, let me admit my prejudices. I love poetry, and a mix of personal essays and poetry strikes me as a perfect format. Prose explores the book’s themes in-depth, while poetry provides an abstract representation of related emotions, which gives the work an emotional symmetry you might not find with prose alone.

Let me mention a few pieces that impacted me personally. Follow the Hula Girl (Becky Jensen) is a remarkable essay that resonated with me for several reasons. (My father passed recently. A family member committed suicide.) Despite potentially dark themes, the essay was upbeat and uplifting.

Flickering Images (Belle Schmidt) is a sweet, concise poem about love’s ability to transcend changing circumstances.

Transformation (Suzanne Lee) is a whimsical look at holiday dinnerware (appropriate to the season) with a lot to say about our relationship to things in general.

Climbing Down the Mountain (Katherine Valdez) is noteworthy, both for the raw honesty of the prose and for the straightforward explanation of the formerly inexplicable (Why would someone stay in an abusive relationship?)

Finally, Pinecone (David Sharp) is a funny, clever piece about the pros and cons of changing the past.

Some readers might find the anthology uneven. My emotional response to the work certainly varied, but that’s to be expected in such an inclusive work. Well-written, well-edited, I give this literary buffet five out of five stars.

Slasher Crasher

f41f0d4a-72aa-44f4-951c-64603b59da36Gallows humor has always been a facet of horror fiction, but most horror comedies miss the mark. The delicate balance between horror and comedy is fragile. Too much comedy and there are no scares. Too much horror and the comedy becomes an afterthought. Along comes author David Nora, who shatters the delicate balance with a sledgehammer. His novel, Slasher Crasher, is a Scream (pun intended).

Five years earlier, Nick Roesch murdered his babysitter’s boyfriend. Now, Nick is a patient in a New York mental hospital. He escapes (easily done – it’s Halloween, after all.) When he crosses paths with two feuding high school girls (Kathleen and Betsy), his plans are coopted. Too bad he’s not quite smart enough to get out of the line of fire…

What follows is a clever mashup of slasher genre tropes, social commentary, and horror humor—the kind that would normally offend everyone. But in Nora’s twisted hands, the layered insanity will make you laugh out loud (and then curse yourself for doing so).

Welcome to the horror party from Hell. No sacred cow left standing. (Five stars out of five)

Rose City: A Teller County Novel

roseCole Quick has been away from home for a long time. Thirteen years earlier, he’d skipped town with his soon-to-be wife and a substantial debt to a drug dealer. Over the ensuing years, Quick tried to live a better life. After all, his wife gave up her inheritance to be with him. Then, cancer took her, leaving him without an anchor.

When Quick’s alcoholic father dies, Quick returns for the funeral. There, he’ll face the dealer (and his law enforcement friends), his dead wife’s family, and a town riddled with racism, class strife, and corruption. They’re not going to leave him alone—thanks to his father, Quick has something everyone wants. As he slides back into old temptations and the Teller County underworld, the dark forces that plague Rose City may not be Cole’s worst enemy…

Michael Pool’s Rose City: A Teller County Novel is a fast-moving piece of classic noir. The first beat-down starts on page five. And like the action, Pool’s dialog has punch:

“Tell the truth, I hate cocaine,” Fat Jerry says.

“Is that right?” Cole asked.

Yeah,” Fat Jerry said, grinning, “but I love the way it smells.”

Rose City is filled with authentic characters and vivid small-town descriptions. Cole Quick is a painfully flawed protagonist who sees what money has done to the place he grew up. Ironic, then, that his redemption may lie in his dead father’s windfall…

Don’t expect a formulaic arc or familiar plot points. Pool is too smart for that. If you like your noir complex (and more than a little messy), Rose City is your book. My favorite novel so far this year. (Five stars out of five)


Dark Touch: Book One of the Glass Star Trilogy

dark touchIn Dark Touch, no good deed goes unpunished. Sloan, the female protagonist of Elle Lewis’s urban fantasy, offers a few dollars to someone she thinks is down on his luck. When their hands touch, she discovers that the man she’d misrecognized as an unfortunate was, instead, an ancient, unworldly creature. His evil touch does not kill her—the expected outcome—so she gains the creature’s full, unwanted, malevolent attention. She becomes a target.

The novel follows the dark opening scenes with a familiar trope (is she imagining things?) Skin bruised and on fire, her first thought is to go to an ER, followed by a visit to Jack-in-the-Box. But the juxtaposition between the real and the fantastical serves a purpose. The author’s fine descriptive passages keep the reader rooted in the real world before flashing into the bizarre. Like Sloan, the reader latches onto the routine, dreading the arrival of the unreal.

And Sloan is totally unprepared for what’s coming.

Dark Touch is the first book of a trilogy. The author captures the sassy, sexy voice of her genre. There are a satisfying number of supernatural creatures, drawn with consistency and imagination. As the story progresses, the action ramps up, leaving poor Sloan caught in a corridor of narrowed options—ratcheting up the suspense.

The ending sets up subsequent books, but that’s expected in a series. If you like urban fantasy with thriller and romance elements, you will love this novel. (Five stars out of five)

Descent of Shadows

RyanneIn Ryanne Glenn’s debut novel Descent of Shadows, Anna is a young teenage girl whose parents are killed by Wraiths. Escaping ahead of the shadow-creature’s invading army, Anna reaches Sanctuary, the last free human settlement. Rather than be assigned to menial tasks, she demands an opportunity to be trained to fight—something that the ruling council strongly resists. Supported by General Collins, the head of Sanctuary defenses, Anna and a handful of others are put through a training regimen designed to encourage the youngsters to quit. Stubborn and resilient, Anna survives training and ends up as the leader of a small contingent of teen warriors. Having prevailed against the council’s prejudice, Anna faces the harsh realities of war against creatures of the night and Roland, their king…

Descent of Shadows is an action-driven narrative with a willful, instinctively clever protagonist and enough martial action to please young readers. The training sequences, in particular, seem very realistic. But there’s much more going on in this fascinating tale. Anna’s unusual, team-oriented notions of training, combat, and leadership would make for an excellent small-business management parable. The author’s world-building is consistent and imaginative, and her understanding of political infighting, as seen through the young protagonist’s eyes, is impressive.

Glenn’s prose is clean and direct. Best of all, the pace never flags. I read this tale in a single burst. Because this is the first volume of a trilogy, I expected the story to end with a cliff-hanger, but I was pleasantly surprised—the novel satisfies as a stand-alone. I highly recommend Descent of Shadows. (Five stars out of five)